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                        <loc>https://tarinidesign.com/header</loc>
            
            
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                        <loc>https://tarinidesign.com/page-c</loc>
            
            
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;
The World Isn’t Ready for what Comes after IVF&lt;/b&gt;&lt;br /&gt;
There’s a vibe shift coming for reproductive medicine. By Ari Schulman&lt;br /&gt;
&lt;br /&gt;
Art Director: Sam Whitney
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                                            <image:caption>&lt;b&gt;Politico EU&lt;br /&gt;&lt;br /&gt;Turkey&amp;#x27;s Erdoğan bets big with high-stakes Kurdish gamble&lt;/b&gt;&lt;br /&gt;As the president&amp;#x27;s traditional support wanes, he is seeking a risky deal with the Kurds to buy a political lifeline. But is there too much mutual mistrust for a deal? By Eleçin Poyrazlar.&lt;br /&gt;
&lt;br /&gt;
Art Director: Arnau Busquets Guàrdia</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;The A.D.H.D Shortage is Causing Real Pain&lt;/b&gt;&lt;br /&gt;The United States cannot continue torturing people who rely on controlled substances to function. By Maia Szalavitz.&lt;br /&gt;
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Art Director: Shoshana Schultz</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;What Iranians Lost When Israel Bombed it’s Most Notorious Prison&lt;/b&gt;&lt;br /&gt;Israel’s attack has shattered something deep within the Iranian people. By Sahar Delijani.&lt;br /&gt;
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Art Director: Shoshana Schultz&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;
The World Isn’t Ready for what Comes after IVF&lt;/b&gt;&lt;br /&gt;
There’s a vibe shift coming for reproductive medicine. By Ari Schulman&lt;br /&gt;
&lt;br /&gt;
Art Director: Sam Whitney
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Democrats Need to Understand That Opinions on Israel are Changing Fast&lt;br /&gt;&lt;/b&gt;What we can learn from the New York Democratic mayoral primary. By Peter Beinart.&lt;br /&gt;
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Art Director: Rebecca Chew



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                                            <image:caption>&lt;b&gt;The New York Times Magazine: Screenland&lt;br /&gt;&lt;br /&gt;Deep Water&lt;br /&gt;&lt;/b&gt;We watch natural disasters differently now. By Brooke Jarvis.&lt;br /&gt;
&lt;br /&gt;
Art Director: Rachel Willey</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Magazine&lt;br /&gt;&lt;br /&gt;
The Sublime Beauty That Airplanes Leave Behind&lt;/b&gt;&lt;br /&gt;
Contrails conjure a sense of something overwhelming and ineffable, as terrifying as it is beautiful.&lt;br /&gt;
&lt;br /&gt;
Art Director: Rachel Willey&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;The Baffler&lt;br /&gt;










&lt;br /&gt;&lt;/b&gt;Sans Merci&lt;br /&gt;The French far right co-opts feminism. By Rebecca Nathanson.&lt;br /&gt;
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Art Director: Philip DiBello, Devin Washburn (No Ideas)&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;The Baffler&lt;br /&gt;










&lt;br /&gt;
Egypt’s Carceralocracy&lt;/b&gt;&lt;br /&gt;
Mass imprisonment is a defining feature of Egyptian political life. By Collective Antigone.&lt;br /&gt;
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Art Director: Philip DiBello, Devin Washburn (No Ideas)&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/D2575340764406507165452368497683/Tarini-Sharma_Baffler-Mag.jpg</image:loc>
                                            <image:caption>&lt;b&gt;The Baffler&lt;br /&gt;&lt;br /&gt;The Exploitable Refugee&lt;br /&gt;&lt;/b&gt;Displaced people as low-cost labor&lt;br /&gt;
&lt;br /&gt;Art Director: Philip DiBello, Devin Washburn (No Ideas)</image:caption>
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                                            <image:caption>&lt;b&gt;The Atlantic&lt;br /&gt;&lt;br /&gt;Burning My Mother&lt;br /&gt;&lt;/b&gt;I swept her remains into the grass, and still didn’t believe she was truly gone. By Nishant Injam&lt;br /&gt;
&lt;br /&gt;Art Director: Ben Kothe&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;The Atlantic&lt;br /&gt;&lt;br /&gt;When Realism is More Powerful Than Science Fiction&lt;br /&gt;&lt;/b&gt;










In &lt;i&gt;On Strike Against God&lt;/i&gt;, Joanna Russ imagined a freer world while confronting its inequities head-on. By Ilana Masad.&lt;br /&gt;
&lt;br /&gt;
Art Director: Jo Imperio



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                                            <image:caption>&lt;b&gt;The Atlantic&lt;br /&gt;&lt;br /&gt;There’s No Such Thing as a Meaningful Death&lt;br /&gt;&lt;/b&gt;










The protagonist in Kaveh Akbar’s new novel wants to believe in something strongly enough that he’s willing to die for it. By 










Nicolás Medina Mora.&lt;br /&gt;
&lt;br /&gt;
Art Director: Ben Kothe



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                                            <image:caption>&lt;b&gt;Unpublished Artwork&lt;br /&gt;&lt;/b&gt;6x9 inches, paper. </image:caption>
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                                            <image:caption>&lt;b&gt;Unpublished Artwork&lt;br /&gt;&lt;/b&gt;5x7 inches, paper. </image:caption>
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                                            <image:caption>&lt;b&gt;The Atlantic&lt;br /&gt;










&lt;br /&gt;
Between ‘the Drive to Forget and the Obligation to Remember’&lt;/b&gt;&lt;br /&gt;Argentina’s unfinished reckoning shows how difficult it can be to recover from state terror. By Julia M. Klein.&lt;br /&gt;
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Art Director: Ben Kothe&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;Acacia Magazine&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Policing Palestine&lt;br /&gt;&lt;/b&gt;ICE’s recent detention and deportation of noncitizen pro-Palestinian students has been part of a wider crackdown on the pro-Palestinian movement by the federal government (and other entities)—and it goes back decades. By Sanya Monsoor.&lt;br /&gt;
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Art Director: Arsh Raziuddin
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                                            <image:caption>&lt;b&gt;The Smith Quarterly&lt;br /&gt;&lt;br /&gt;The Power of Women Voters&lt;br /&gt;&lt;/b&gt;By Barbara Solow&lt;br /&gt;
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Art Director: Bina Thorsen, Matt Willey (Pentagram Design)



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                                            <image:caption>&lt;b&gt;The Smith Quaterly&lt;br /&gt;&lt;br /&gt;Hauntings&lt;/b&gt;&lt;br /&gt;A study of how our past lives in the present. For the Smith Quarterly’s 2026 winter issue.&lt;br /&gt;
&lt;br /&gt;Art Director: Nick Marabella, Matt Willey (Pentagram Design)</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Sunday Opinion&lt;br /&gt;
&lt;br /&gt;
The Epstein Files Are an X-Ray of How Power Works&lt;/b&gt;&lt;br /&gt;
Anand Giridharadas interviewed by Ezra Klein.&lt;br /&gt;
&lt;br /&gt;
Art Director: Kristie Bailey</image:caption>
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                                            <image:caption>&lt;b&gt;New Statesman&lt;br /&gt;&lt;br /&gt;The Art of Writing About India&lt;br /&gt;&lt;/b&gt;A book review for Kiran Desai’s new novel The Loneliness of Sonia and Sunny, her first novel since she won the Booker prize two decades ago. Can Desai avoid resorting to stereotypes about the land of her birth? By Aditya Bahl.&lt;br /&gt;
&lt;br /&gt;Art Director: Gerry Brakus</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;Why Do We Allow Child Marriage in America?&lt;/b&gt;&lt;br /&gt;Written by Nicholas Kristof.&lt;br /&gt;
&lt;br /&gt;Art Director: Sam Whitney</image:caption>
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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;&lt;br /&gt;He Didn’t Kill Anyone. Alabama Is About to Execute Him Anyway&lt;/b&gt;&lt;br /&gt;Sonny Burton’s plea of clemency and its significance. By Elizabeth Vartkessian.&lt;br /&gt;
&lt;br /&gt;Art Director: Elana Schlenker&lt;br /&gt;



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                                            <image:caption>&lt;b&gt;The New York Times Opinion&lt;br /&gt;
&lt;/b&gt;&lt;br /&gt;&lt;b&gt;The Case for Disqualifying Trump is Strong&lt;br /&gt;&lt;/b&gt;By David French.&lt;br /&gt;
&lt;br /&gt;Art Director: Sam Whitney</image:caption>
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